7 Reasons My Six-Figure Jobs Newsletter Stands Out From All the Rest

Advice for Freelancers, Content Badasses, Freelance Journalism Jobs of the Week, How Do You Find the Best Freelancers?, Managing Your Content Business, Video Content, Why You Need a Freelancer

I’ve been a successful freelance journalist for more than ten years, and I have many strategies, techniques, and talents for finding relevant, high-paying, and worthwhile full-time and freelance journalism, communications, video, television, social media, writing and editing jobs on the market.

I have been running the highly successful and very popular Six-Figure Journalism, Writing & Communications Newsletter for the last two years. While I’ve archived the old posts I used to put up on this site, I’m transitioning to Beehiiv, where you can see all of the latest posts, editor email addresses, pitching guides and insights I offer every single week, once you become a paying subscriber.

Every Wednesday morning at 9 am PT, I send out a curated list of new, freelance calls-for-pitches and full-time remote and hybrid jobs that pay a real and living wage: At least $1 per word for freelance work, and a minimum of $100,000 per year for full-time work.

If you have serious newsletter fatigue and are tired of scrolling through newsletters that offer work for $0.10 per word (as if that’s a real wage) or under $100k for decades of experience, then this newsletter is for you. In a literal sea of newsletters, this one stands out for seven, distinct reasons.

1. All Freelance Journalism Gigs Pay a Minimum of $1 Per Word OR MORE

There was a time when $1 per word was a minimum. Today, with the advent of AI, mass layoffs, and more, it’s getting more difficult to find calls-for-pitches that pay this minimum. Each week, I curate freelance gigs and calls directly from editors that pay a minimum of $1 per word or offer an excellent byline opportunity (especially if you’re looking to broaden the type of coverage you do or want to move into a new beat).

Paid subscribers to my jobs newsletter get a different curated list in their inbox each week. I also do my best to include outlets you’ve heard of (or those with outstanding reputations), in case you’re looking to shift coverage.

2. Editor’s Email Addresses, Coverage Notes & Pitching Guides are Included in Every Newsletter

Stop wasting your valuable time trying to construct an editor’s email address. Each freelance call includes a way to contact the right editor. No searching is necessary.

I always recommend that monthly paid subscribers archive these emails as a valuable way to update contacts and keep the right editor contacts on hand when you have a great pitch that you want to send. I’m also currently working on building a database of editor names aemail addresses

3. All Jobs & Freelance Gigs are Fully-Remote or Hybrid

I have been a remote worker for most of my career and know that being remote is tremendously valuable as a freelancer and full-timer. All jobs included in this weekly paid newsletter are full-remote unless they offer a fantastic opportunity, in which case, I note where they are located.

In the cases where the job is not remote, I note it at the end of the listing like this:

4. All Full-Time Journalism & Communications Jobs Pay a Minimum of Six-Figures ($100,000) Per Year OR MORE

Yes. Really. I work hard to find these jobs for paid subscribers and include them in each weekly newsletter. After all, we’re skilled, talented, and highly-experienced professionals and we should be paid professional, living-wage salaries.

5. I Have Been Working in Journalism & Communications For More Than 15 Years & Provide Insights You Won’t Find Anywhere Else

Want to know what an office environment is really like? I’ve got you. I have worked in many places with many talented (and, sadly, horribly untalented) people. This newsletter is for you if you want the inside scoop on many major media outlets. I pull no punches (and you can always email me for more details if you have questions about my “Editor’s Notes.”)

If you’d like to know more about me and my work, you can check out my bio at my portfolio site at abigailbassett.com

6. Everyone Loves the “Dishonorable Mentions” list

Each week as I troll the listings I compile some of the worst-paying and most abusive jobs that are currently on the market. God knows, there are plenty. I offer insights as to why the wages are so bad, red flags to watch out for in job listings that “sound too good to be true” and what to do when you are asked to do a “free trial” for an application. This is the most popular section of the entire newsletter and subscribers regularly thank me for my candidness in this section.

7. You Don’t Have to Spend Hours of Time Looking for High-Paying Work. I Do It For You Every Single Week.

For less than the cost of a cup of coffee, I do the work for you. Every single week. The newsletter goes out on Wednesday mornings at 9 a.m. PT.

When you sign up for a monthly $5 subscription, you’ll get access to the most recent newsletter plus all the others I’ve posted on Beehiiv.

How to Handle ‘Time Creep’ as a Freelance Journalist

Advice for Freelancers, Managing Your Content Business

We’re frequently hired at a per-word rate, but does that mean we must always be on Slack or attend virtual meetings? It depends…

The freelancing world has undeniably changed a lot in the last few years. It’s only been accelerated by the advent of AI, and every individual contractor out there is working hard to string enough gig work together to pay their rent, put their kids through school or ensure their animals are fed. As we face more layoffs in the media space and more highly skilled journalists go freelance, the market becomes more competitive. It’s simple supply and demand economics, right?

As the supply swells and corporate America continues to seek ways to make more money (but refuses to spend more on skilled and talented employees), freelance journalists are starting to feel the pinch. That means that in order to land a job or simply keep a client happy, many of us are taking lower paying gigs (sub $1-per-word rates are astoundingly common these days, even for VERY high profile publications), and get dragged into doing extra work, without additional compensation just to stay afloat–a thing I call “time creep.”

What is Time Creep?

Time creep is when a publication or client decides that now that they have you under contract, you’re obligated to be available to them at all times as if they are your only client. It frequently happens when there’s turmoil at a publication or company and often indicates that the client (i.e., your “boss”) feels insecure about their skills, job, or even the stories they’ve assigned you.

An Editor With a Planning Issue

For example, a friend and fellow freelance journalist recently told me a story about a client paying a flat fee of $400 per story. It’s relatively easy work. The editor at the publication assigns her a story brief, she does the reporting, turns it in on deadline, and makes one round of edits as requested–a standard deal these days

She’s highly skilled, has name recognition, has been in journalism for a long time, and has a bevy of high-profile bylines under her belt. She’s been looking for more steady freelance work for a while as a way to build a consistent base for those bigger stories she regularly lands, and this gig came to her.

On the surface, the deal makes good business sense because it makes the most of her time, allowing her to freely pitch other big swings and still keep a bedrock of consistent work coming in. She gets big bonus points for getting all of this in writing in a signed contract!

Until…

Recently her editor has decided that he wants her on content calls. Everything from story generation to scheduling calls and meetings come into her inbox. Since the client is new, she says she feels pressured to try and make at least a few of the meetings, but it’s cutting into the time she’s allocated for other clients and other pitches.

It’s also significantly cutting into that nominal $400 per story rate. The editor has also requested that she be available on Slack during business hours, even though she’s not getting any additional pay or benefits. She’s increasingly unhappy with the arrangement but reached out because she didn’t know what to do or how to handle it.

What to Do About Time Creep?

Check Your Contract

Notice any wording that includes some of the additional work you’re being asked to put in, whether it’s creating content ideas, or attending meetings that have very little to do with you; it pays to know what you have in writing.

Find Out Why Your Editor is Demanding More

Human beings don’t deal with stress well, no matter who they are or how strong their meditation practice may be (P.S. I teach meditation and yoga every single week on Zoom, so, yeah, I know.) It’s entirely possible that they got heat for assigning you a bad topic, or your story got tied up in internal politics. Take a breath, and remember that your editor (or client) is human and is probably having a momentary stress freak-out about something that is both well beyond your control and utterly unrelated to your work.

It may make sense to drop your editor a note (resist the urge to CC everyone angrily) on the side and ask why the project parameters have changed. Once you have more information, you can move on to the next step and decide how you want to move forward with the project. Remember (as one of my past, most favorite bosses used to constantly remind me); Business is not personal. Keep it professional.

Set Your Boundaries & Put it in Writing

Once you better understand what is going on with your editor/outlet/publication, it’s time to reset your boundaries and get it all in writing. If you’re willing to take on the extra work requirements after speaking with your editor, set those boundaries via email.

If, however, you’ve determined that the additional demands on your time don’t work for you, be clear about your boundaries, and what it will require from the client, should they want more of your time.

As an example, you could send an email like this:

Hi [Editor or Contact Name],

I really appreciate you clarifying why you need additional time from me, and I’m so glad we connected to discuss this. 

As a freelancer, I juggle several clients and deadlines every week. It’s vital that I understand how your needs have changed from when I was onboarded so we can find the best way to work together. 

I enjoy working with you, but because of these other obligations, and the current scope of work (contract), we have, I will only be able to do X (X being whatever you originally agreed to OR being what you discussed in another email or call regarding your work). Do you have any wiggle room in your budget to pay an hourly rate for those times when you want me to attend meetings or otherwise dedicate my time to this project?

Thanks,

[Your Name]

Give your editor some time to respond to you with details and then handle their response accordingly.

One of the joys of being your own boss is the ability to set your own boundaries around work. That means that sometimes you have to have difficult conversations about time creep. It also means that sometimes you must fire a client and find a new one. Either way, remember that business is not personal and (as one of my favorite food YouTubers might say, “You are the boss of your own dross.”

DON’T HAVE TIME TO FIND GREAT PAY FOR FREELANCE WORK?

I HAVE YOU COVERED!

Do you need help navigating the ever-evolving freelance world? Want one-on-one help with pitches, edits, or dealing with a frustrating client? Come to my office hours or a FREE Freelance Workshop! Sign up here!

Need to find a new client, or looking for new freelance work? I send out a newsletter with more than 30 new gigs that pay at least $1 per word every single week. Become a paying subscriber, today, and let me do the work for you!

Content Badasses Unite!

Content Badasses, How Do You Find the Best Freelancers?, Video Content, Why You Need a Freelancer

There are plenty of freelance writers, editors, content strategists, video content producers, managers, social media gurus, internet marketers and general creators out there on the big wide Internet.

In fact, you’ve probably interacted with a number without knowing it. Ever Googled “how to” do anything? Then you’ve found us.

So why CNTRL MEDIA?

For one, me.

As one of my favorite authors, Jen Sincero, says, in her awesome book, You Are a Badass:

“You are the only you that will ever be. You are kind of a big deal.”

 

I kind of subscribe to that idea — I am “kind of a big deal.”

Why?

I’ve spent the last 18 years at the top of major media corporations creating content for all kinds of people. Everyone from CEOs, top-level start-ups, on-air personalities, brands and Fortune 500 businesses have tapped me to create, manage, ideate, build, and curate their content. My work has won Webbys, Emmys and Peabody Awards. I have worked on Academy Award winning films. I have spoken at major content conferences all over the world. Quite frankly, I am a verifiable content badass.

I spent 10 years as a Senior Producer at CNN. I’ve taken piddly little YouTube Channels and built them to become powerhouses. I’ve built solid social media followings for brands that were languishing (without investing a ton of cash.) I’ve managed film and video shoots both large and small, and I’ve run successful content teams all over the world.

I’ve been a fiercely successful freelancer for many years and I believe in the power of great content delivered in any medium possible.

So if you’re here to learn how to create, manage, or ideate badass content, sign up for my bi-weekly newsletter here.